Tag Archives: Bedlam

2009


New Year’s Day—
everything is in blossom!
I feel about average.

–Issa, translated by Robert Haas

almond blossoms, taken by Michael Favor, from wikicommons

photo of almond blossoms taken by Michael Favor, from wikicommons

The musical year here:

Twenty Days to Find a Wife enjoyed a successful run at History Theatre, and was named one of the top five dramas of 2009 by the Minneapolis Star Tribune.

Fidgety Fairy Tales had productions throughout Minnesota and in Guam, and we took the cast to Washington D.C. to perform for the conference of the National Association of Families for Children’s Mental Health.

Beaverdance had a very good run at Bedlam Theatre over the holiday season. The cast was amazingly fearless and funny, and I now know I can write a musical in three weeks.

We revived and expanded In Dreams Begin Responsibilities for a showing at Nautilus Music Theater. It is now a piano trio piece with challenging choreography and we are talking about revisiting it in 2010.

I worked with a number of wonderful collaborators: Laurie Flanigan, Matt Jenson, Corrie Zoll, Dan Pinkerton and Nancy Nair; and many fabulous singers, actors, directors and dancers.

Today, the last day of the year, I finished writing the last song for a cycle on the poems of Charles Baudelaire which will be performed in January and February by tenor Brad Bradshaw.

I got my daughter off to college and she is happy there. I’ve been playing piano in churches and dance studios and parties and concerts.  Tonight it’s cold outside and it is warm in the house and there are candles burning. Happy New Year!

Beaverdance? Check

Beaverdance is written…I don’t know why I thought my Next Big Project would be something I would take my time over. I believe I wrote all the music in three weeks. Never again. But…it is fun. I stopped by rehearsal last night and the cast is funny and cute, in the Bedlam tradition

That’s Heather, aka Foxy Tann, running the rehearsal there. See what I mean about how cute the cast is?

The show opens December 3rd and runs through the 20th. Dinner-theatre packages are available. A Marxist disco extravaganza about the fur trade is the perfect way to celebrate the holidays. Go see it!

dada dada dadadadadada

The DADA show at Bedlam, for which I am playing piano, is in its second of three weeks. Candy Bilyk wrote the music, and I am enjoying playing her stuff. We’re both fans of seconds, thus doomed ever to be resented by singers. I won’t be playing May 1st or 2nd, as I will be over at the Twenty Days opening.

It’s on a double bill with Dali’s Liquid Ladies, which is about Salvador Dali, some mermaids and a Nazi youth at the World’s Fair. They are taking the Dali show on tour after we close our run, and will make an appearance at Coney Island.